Footprints Script/Final Art Comparison – Part 3

There seems to be a running trend of my intentions to be regular with this process column and then falling behind. But hey, life. I’m also writing this while couch-ridden and doped up after my back acted up, so please forgive any typos. My plan was to do nothing this weekend and rest, but I feel funny not doing something. So here we are. If you haven’t a clue what it is I’m doing here, check out the other installments:

Part 1

Part 2

Part 4

Again, keep in mind that due to WordPress formatting limitations, the script format here isn’t exactly how my actual scripts look, but there’s no hard-and-fast comics format anyway, so as long as you get your ideas across competently and clearly in a way that works for the artist, I think you’ll be okay. Here we go, Page 3:

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Kind Words About Our Grim Leaper Back-Up

Great news, everyone! Grim Leaper #1, home to the Jack Kirby/Joe Simon homage short story that I did with Jeff McComsey, has sold out and is heading back to press for a second printing. Huge congrats to Kurtis and Aluisio, and an even bigger thanks for letting us be a part of it. The second printing will be on sale June 27, the same date as GL #2, which has a back-up from Ryan K. Lindsay. Here’s the second printing’s cover:

We’ve gotten a lot of feedback about the short, which I was surprised by, so thanks to everyone that picked it up and talked it up. It’s also available on Comixology, so check it out if you haven’t!

Here are some of the nice reviews we got mentioned in:

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Footprints Script/Final Art Comparison – Part 2

It’s taken me a bit longer to get to the second part of this process blog up than I initially intended, but here we are! Check out Part 1 if you’re not sure what this is all about, but otherwise, read on! Please again note that this isn’t an exact representation of my script formatting, as WordPress opted to be a jerk about it.

Part 1

Part 3

Part 4

PAGE TWO – (5 Panels)

PANEL 2.1

REVEAL of Bigfoot, still wet in his trench coat and fedora, with a look of complete shock upon his big hairy mug. He’s still holding his mail.

What we can see of his apartment is absolutely pristine. Fine vases neatly scattered about with original art hanging from the walls. No hint of dust, clutter, or grime. He’s either the cleanest Bigfoot on the planet or he’s got one hell of a cleaning lady.

FOOT (CAP):

GETTIN’ A LETTER FROM MY BROTHER THOUGH…

FOOT (CAP):

…WELL, I AIN’T ASHAMED TO SAY THAT I DAMN NEAR SHIT MYSELF.

As I mentioned in Part 1, the script I’m using for these blogs is essentially a shooting script, so there’s not a whole lot of differences between the script and what’s established on the pages, at least on my part. However, it’s notable here that in my description I say “the cleanest Bigfoot on the planet,” implying that there are, in fact, more than one of him. As you know from reading the book, this isn’t the case. As I went on and developed the characters in this issue, I realized the story works much better if these characters are THE characters we know as urban legends. Maybe there were more at one time or another (as Motheresa implies in issue #4, I think it is, where she refers to herself as “a mothperson”), but with these characters having survived “hundreds of years,” they have become the last of their species. So, the description I mentioned above is essentially a remnant of an earlier idea that was eventually scrapped.

As for the pristine/fine art aspect of his apartment (which Jonathan nailed), I just think it’s hilarious that this creature we typically associate with living in the wild as a savage is actually the complete opposite. He appreciates the human world and the things that come with it. And, judging from his taste, perhaps he’s a bit TOO indulgent (a sentiment reflected in issue #3).

This panel also holds Foot’s full reveal, in which he looks…. well, human! Just, you know, hairier. It’s not the most descriptive show of him — and I think Jonathan evolved his look to be even more definitive as the issues went on — but it establishes his look quickly and efficiently. Combined with the background details, I think this panel sums the character up rather quickly.

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Footprints Script/Final Art Comparison – Part 1

In an effort to put worthwhile content on this blog that’s not entirely self-promotion, I thought I’d give a look at the process behind the making of Footprints and hopefully show off the nature of the collaboration between Jonathan and I. While I’m going to initially be using pages from Footprints #1 since it’s been available to read for free for quite some time, there were a lot of great instances of a sound partnership in the later issues, as Jonathan and I became better collaborators and, perhaps more importantly, friends. If this is something that might interest you as a fellow creator or just curious party, please read on!

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Something New

So, obviously I haven’t updated here in a while. It’s been a stressful few months, for a multitude of reasons, none of which will I bore you with. That said, projects have come and gone and things have been shuffled around a great deal. I am, however, working on some exciting stuff that you may or may not ever read, but they are happening nonetheless. For starters, I’ve started working on something new with artist Sean Von Gorman, which you’ll see is quite different from Footprints. Here’s an early cover image:

I’m unsure if I’ll post anything beyond this cover until some sort of plan is finalized, but it’s something I’m excited for and has been a nice change of pace for me. There are some other things coming up for me as well, which you will hopefully hear about in due time.

But contrary to reports, no, I am not dead.