A couple weeks back, DC Comics revealed their October 2022 solicitations and with it, my next Batman story — a 4-part arc called “The Murder Club” with the incredible artist Vasco Georgiev, who you may know from the current (and excellent) Aquaman/The Flash: Voidsong series.
To say that writing a full arc of Batman is a dream come true is an understatement, and who knows if I’ll have the opportunity to do so again, so I can promise that I’m going all-in on a Batman story I’ve always wanted to read.
It goes on sale October 11, so be sure to tell your favorite comics retailer!
Here’s just one of the incredible covers from this issue, by Edwin Galmon:
And before that, my short story with the incomparable Mikel Janin in Batman: Urban Legends #19 hits on September 13!
This one’s a full-fledged, Brave and the Bold-style adventure that’s also a sneaky sequel to the all-time classic Detective Comics story, “The Laughing Fish.” It was a total blast to put together and I can’t wait for everyone to read it.
Plus, check out this incredible variant cover by Sebastian Fiumara:
Batman: Urban Legends #17 on sale July 12, 2022! Tell your local comic shop you want this OUTRAGEOUS team-up!
One of my favorite things about the DC Universe, and Batman’s place within it, is how he can be surrounded by utter insanity and still be as serious as a heart attack.
I got to lean into this a bit with my upcoming story for the most excellent Batman: Urban Legends series in which Batman and Plastic Man team-up in an effort to help a former bodyman of the Penguin’s escape his former employer’s clutches after he decides to turn informant.
In the midst of it all, of course, Batman manages to windsurf on Plastic Man. Checking that off my bucket list for sure.
I’m very honored to have worked with the incredible Jason Howard, who rendered the Bats/Plas adventure with every bit of energy it deserves.
I’m equally stoked about Riley Rossmo‘s stunning variant cover for the issue featuring this particular team-up.
Batman: Urban Legends #15 hits May 10, 2022, so I hope you’ll check it out! Stay tuned for more…
I don’t have anything to share in the way of specifics about the workshop or what I worked on (but writing “EXTERIOR. THE DAILY PLANET” doesn’t get old, I can say that much). The big takeaway is obvious, but participating in a writing workshop—something I haven’t done at least since college—was invaluable.
First, I learned so much about my own work, style, bad habits, and shortcuts just by having a consistent feedback loop. Knowing that my colleagues would be involved every step of the way and seeing my improvements (or my missteps), throwing out ideas, going big, going small… it was an environment that, much to my shame, I haven’t had a lot of in my career as a professional writer. Making the process collaborative rather than solitary was a huge learning experience for me. Like, why don’t I do this all the time? I can see why a writer’s room is so appealing.
Which leads me to… the people. Of course, Scott Snyder and the Talent Development team at DC are fantastic, the best there is at what they do (I know, I know, I’m crossing the aisle with that one). But the best thing to come out of this, I think, is that I feel like I’ve finally got my own Breakfast Club.
(Top row, L-R) Sanya Anwar, Bobbie Chase, Sara Miller, Some Jabroni (Middle row, L-R) Ryan Cady, Phillip Kennedy Johnson, Scott Snyder (Bottom row, L-R) Robert Jeffrey II, Magdalene Vissagio
What I mean is this: A small group of peers who have all gone through something significant together that few people can really relate to unless they were there, man. We’re already continuing to share ideas and work, meeting as a group on our own, and generally keeping each other sane as we get back to the real world.
Growing up a “DC Kid” or a “Marvel Kid” is something that, I think, is probably outdated in this day and age. At least, it seems that way, but that could just be the fact that I’m old now and kids have so much superhero stimulation from so many areas beyond just comics that it seems impossible to me that they could possibly commit one way or the other.
But growing up, I was most certainly a DC Kid, fiendishly worshipping anything with Superman’s S-Shield on it and deep diving into the well of Kirby’s Fourth World, Gotham’s underbelly, Bibbo’s Ace of Clubs, and the surface of the living planet Mogo. DC’s heroes were, and still are, aspirational; it feels like they have something to teach us. Marvel’s heroes are relatable in a way that makes you feel like, hey, that could be ME! But I didn’t always want to read comics to see the world outside my window, I wanted to peek into the window of the universe next door.
So it thrills me to say that I’m going to be stepping through window and exploring it first hand: I’ve been accepted into this year’s DC Comics Writers Workshop, an intensive writing workshop focused on comics—DC superhero comics, specifically—giving the six of us that have been accepted an opportunity to play in the DCU and learn from the best of the best. In this case, that’s writer extraordinaire Scott Snyder and the Talent Development team at DC.
