Kind Words About Our Grim Leaper Back-Up

Great news, everyone! Grim Leaper #1, home to the Jack Kirby/Joe Simon homage short story that I did with Jeff McComsey, has sold out and is heading back to press for a second printing. Huge congrats to Kurtis and Aluisio, and an even bigger thanks for letting us be a part of it. The second printing will be on sale June 27, the same date as GL #2, which has a back-up from Ryan K. Lindsay. Here’s the second printing’s cover:

We’ve gotten a lot of feedback about the short, which I was surprised by, so thanks to everyone that picked it up and talked it up. It’s also available on Comixology, so check it out if you haven’t!

Here are some of the nice reviews we got mentioned in:

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Footprints TPB Now Available at the 215 Ink Shop

I know there’s been some delays/trouble getting the Footprints collected edition through your local comic shops for some of you, so now you can cut out the middle man if need be. The trade is available for sale at the 215 Ink Shop, direct from the publisher.

Please drop me a line if you order it and let me know what you think!

Footprints “Pick of the Week” at Bloody Disgusting!

Happy weekend everyone! I’m delighted to say that we got a wonderful review over at Bloody Disgusting, and we’ve been gifted as “Pick of the Week”! Huge thanks to the folks at BD, and I’m so happy that you dug the book! Here’s an excerpt:

Esposito and Moore fill the book with little details that force you to pay close attention to each panel, no matter how small. They don’t simply rely on dialogue to move the plot forward, but like with all good noir stories, it’s the subtext that plays an essential role. Whether it’s a broken picture frame, a small note, or a hand gesture, “Footprints” is filled with great subtleties that showcase how wonderfully ideas can be presented in graphic storytelling . This is invigorating storytelling, and neo-noir at it’s finest.

You can also check out the full review.

Footprints Trade Paperback In Stores!

At long last, the Footprints TPB should be in any comic shops that were on the ball enough to order it through Diamond. If you didn’t pre-order it (or if no one else did at your LCS), it might be hard to track down, but you can still tell your retailer to order it from Liber Distribution, buy it digitally on the 215 Ink iPad app (only $3 for the collection!!), or look for it soon on 215ink.com. If it becomes readily available any place else, I promise you’ll be hearing about it from me!

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Footprints Script/Final Art Comparison – Part 2

It’s taken me a bit longer to get to the second part of this process blog up than I initially intended, but here we are! Check out Part 1 if you’re not sure what this is all about, but otherwise, read on! Please again note that this isn’t an exact representation of my script formatting, as WordPress opted to be a jerk about it.

Part 1

Part 3

Part 4

PAGE TWO – (5 Panels)

PANEL 2.1

REVEAL of Bigfoot, still wet in his trench coat and fedora, with a look of complete shock upon his big hairy mug. He’s still holding his mail.

What we can see of his apartment is absolutely pristine. Fine vases neatly scattered about with original art hanging from the walls. No hint of dust, clutter, or grime. He’s either the cleanest Bigfoot on the planet or he’s got one hell of a cleaning lady.

FOOT (CAP):

GETTIN’ A LETTER FROM MY BROTHER THOUGH…

FOOT (CAP):

…WELL, I AIN’T ASHAMED TO SAY THAT I DAMN NEAR SHIT MYSELF.

As I mentioned in Part 1, the script I’m using for these blogs is essentially a shooting script, so there’s not a whole lot of differences between the script and what’s established on the pages, at least on my part. However, it’s notable here that in my description I say “the cleanest Bigfoot on the planet,” implying that there are, in fact, more than one of him. As you know from reading the book, this isn’t the case. As I went on and developed the characters in this issue, I realized the story works much better if these characters are THE characters we know as urban legends. Maybe there were more at one time or another (as Motheresa implies in issue #4, I think it is, where she refers to herself as “a mothperson”), but with these characters having survived “hundreds of years,” they have become the last of their species. So, the description I mentioned above is essentially a remnant of an earlier idea that was eventually scrapped.

As for the pristine/fine art aspect of his apartment (which Jonathan nailed), I just think it’s hilarious that this creature we typically associate with living in the wild as a savage is actually the complete opposite. He appreciates the human world and the things that come with it. And, judging from his taste, perhaps he’s a bit TOO indulgent (a sentiment reflected in issue #3).

This panel also holds Foot’s full reveal, in which he looks…. well, human! Just, you know, hairier. It’s not the most descriptive show of him — and I think Jonathan evolved his look to be even more definitive as the issues went on — but it establishes his look quickly and efficiently. Combined with the background details, I think this panel sums the character up rather quickly.

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